Her role as the troubled grownup who can’t pull herself as things get bitter is going to win her a lot of appreciation. As we see their raw bond split apart, in comes Rushikesh’s colleague Radhika (Sai Tamhankar) who makes matters worse with her timely presence for Rushi who is in need of a friend who understands his matters. His strong bond of friendship with Amruta and their craziness when beside each other is what triggers the cold war between Rushi and Amruta. As a grown up he is a Oxford-return scientist who doesn’t like to make too big a deal of it. He plays the character of Amruta’s childhood friend who has made it large in life without being detached to his roots. We couldn’t help but say that it was a one-man show for him.
#TIME PLEASE MARATHI MOVIE MOVIE#
Coupled with Umesh Kamat, who suits perfectly as the responsible, caring and concerned husband, together they make every scene of the film seem like something that could happen to each one of us.Īs the story unfolds, we are introduced to one hurricane of a character – Himmatrao Dhondepatil (Siddharth Jadhav) who carries the movie single-handedly on his shoulders and makes up for most of our cheerful moments. She may remind you of Jab We Met’s Geet but set in a maharashtrian backdrop she is sure to win thousands of young hearts. Priya Bapat as the bubbly, carefree Amruta who doesn’t want to take life seriously – is a charm to watch on screen. Every single one of them are just perfect for the role. Thanks to carefully crafted and casted characters. Here we want to take a moment to shower accolades on the movie’s writer Kshitij Patwardhan for giving us a story that is run-of-the0mill in nature for some but doesn’t get boring even for a minute. The movie is about the newly wed couple Rushikesh (Umesh Kamat) and Amruta (Priya Bapat) and how the share the sweet and sour moments of the first phase of their married life. And given the albeit sad fact that there’s a larger audience for movies than plays, we think that debutant director Sameer Vidwans has delivered a job well done.
The movie is so much better (or should we say ‘different’) than the play.
After we covered the review of the play – Nava Gadi Nava Rajya, on which this movie is based, we thought the film adaptation would just be a repetition on the big screen.
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